Posts Tagged ‘Arts’

David Blume Keynotes San Mateo County BioEd/Science Teachers Talk, Gualala Arts Council Lecture Series, BonFire Heights Festival and ACORE’s Renewable Energy Finance Forum

September 07, 2011 08:30 AM Eastern Daylight Time 

September Talks Present a Plan for Developing Abundant Food, Clean
Water, Renewable Energy and Non-Exportable Jobs Via Regenerative Ag and
Localized Production of Appropriate-scale Alcohol Fuel

SANTA CRUZ, Calif.–(BUSINESS WIRE)–The International Institute for Ecological Agriculture (IIEA):

“We have the opportunity to transform a very dismal economic and
environmental future to one full of opportunity and benefits”

WHAT: The International Institute for Ecological Agriculture (IIEA)
announced today that its Executive Director and Founder David Blume will
keynote a series of presentations in California this September.

Blume is a globally renowned regenerative agriculture and biofuels
expert and is author of Alcohol
Can Be A Gas
! as well as Founder and Chief Technical
Officer for Blume Industries, Inc. Blume will be presenting ways
we can:

  • Cheaply produce appropriate-scale alcohol fuel from surplus and
    waste-stream resources, as well as native and cultivated crops
  • Generate high-profit, high-yield, coproducts from the alcohol fuel
    production process including: mercury- and radiation-free fish,
    non-toxic fertilizer and herbicides, abundant local jobs
  • Develop affordable rapid response systems for global environmental and
    climatic disasters
  • End global deforestation and improve health and safety conditions for
    women and children around the world
  • Support Flex Fuel vehicle development with locally produced clean
    emission fuel

“We have the opportunity to transform a very dismal economic and
environmental future to one full of opportunity and benefits,” stated
Blume. “Appropriate-scale alcohol fuel is the trim tab for resetting our
energy course both domestically and globally. As is currently recognized
by Ford Motor Company and many of the leading Flex Fuel auto and
transportation manufacturers, our farmers can produce the fuel we need
to run cars, trucks, buses and to provide the fuel to produce
electricity, cooking, heating and refrigeration solutions cost
effectively and right now.”

David Blume will be presenting at the following events:
Saturday,
September 10, 2011 – Noon PT

San
Mateo County BioEd/Science Gene/Connection Kickoff Talk

Building
22, room 22-116 at Cañada College, 4200 Farm Hill Boulevard, Redwood
City, CA
Audience is comprised of San Mateo County High School
Teachers and College Professors who work with more than 10,000 students
in the Bay area.

Monday, September 19, 2011 – 7:00pm PT
Gualala
Arts Council Lecture Series

The Gualala Arts Center
46501
Gualala Road in Gualala, CA
Open to the Public and for a $ 5.00
donation, Blume will present “Alcohol: A Solution to Peak Oil.” Based on
his book, Alcohol Can Be a Gas! Blume will discuss how each of us
from the home gardener to corporate agriculture can help break America’s
dependence on foreign oil.

Saturday, September 24, 2011 – 10:30am PT
BonFire
Heights

Asilomar, CA
BonFire Heights features a list
of leading environmental thinkers and activists. Topics range from the
Tar-sands pipeline and Gulf oil disaster to organic farming and food
supply chain solutions along with energy and biofuel production models
to transform our lives today.

Monday, September 26, 2011 – 4:30pm PT
American Council
on Renewable Energy (ACORE)
Renewable
Energy Finance Forum (REFF) West

The Four Seasons Hotel in
San Francisco, CA, September 26-27, 2011
SESSION 5: Renewable Fuels
– A Renaissance?
With renewable fuels currently a topic of much
debate at the Federal level, the industry appears to be experiencing
somewhat of a renaissance, but investors still seem unsure. This session
will unlock the myths surrounding renewable fuels and evaluate funding
mechanisms to bring these projects to fruition.

Business Wire Environment News

Museum of Fine Arts, Boston and Dassault Systèmes’ Giza Archives Project Receives Computerworld 2011 Honors

June 20, 2011 01:00 AM Eastern Daylight Time 

First of a Kind Project Linking Archival, Archaeological Data in a
Real-Time 3D Interactive Environment Enables Scientific Community and
Public to Experience Virtual Archaeology

LOWELL, Mass.–(BUSINESS WIRE)–Dassault
Systèmes
(Euronext Paris: #13065, DSY.PA), a world leader in 3D and
Product Lifecycle Management (PLM) solutions, announced today that the Giza
Archives Project
at the Museum of Fine Arts, Boston (MFA), was
selected by the IDG
Computerworld Honors Program
as a 2011 Laureate. The annual award
program taking place tonight in Washington, D.C. honors visionary
applications of information technology promoting positive social,
economic and educational change.

“Technology can have a
significant impact on enhancing understanding, and this project is
living proof of that.”

The Giza Archives Project is a digital initiative, housed at the MFA,
for research on the Egyptian Pyramids and surrounding tombs at the Giza
Plateau. The Giza Pyramids arguably represent the world’s most famous
archaeological site, with thousands of tombs, temples, ancient artifacts
and artistic masterpieces. Dassault Systèmes provides the Giza Archives
Project with its real-time 3D expertise and a complete suite of
solutions for simulation and visualization of archeological data,
creating fully immersive interactive experiences for both specialists
and the general public.

“While there are other archaeological projects that are processing old
archives, and still others engaged in reconstructing ancient landscapes
and structures via 3D computer technology, only the Giza Archives
Project is combining both approaches, linking archival archaeological
data in a real-time 3D interactive environment to allow for an entirely
new way to experience the Giza Necropolis. And unlike a video game, the
3D reconstructions are based on actual archaeological data,” said Peter
Der Manuelian, Giza Archives project director and Philip J. King
professor of Egyptology at Harvard University. “Bringing together real
archaeological data and real-time 3D graphics creates a new paradigm for
how to manage archival information and disseminate it across multiple
media platforms for research, education, and public outreach,” said Rus
Gant, technology consultant, Giza Archives project.

In addition to the clear benefits that 3D technology and simulation
tools bring to the field of archaeological research, Dassault Systèmes
and the MFA are working together to invent innovative education
approaches and new ways to communicate with the general public.

“Along with the online application, we are building multi-platform
experiences, whether individual or collective, through virtual and
augmented reality systems, 3D screens or movie theaters, allowing us to
display this experience in museums or even classrooms,” said Karine
Guilbert, Giza 3D project director, Dassault Systèmes.

“It is a great honor to be recognized alongside the Museum of Fine Arts
for the Giza Archives Project, largely because everyone involved in the
project feels so strongly about the benefit of this work to researchers,
educators and students around the world,” said Al Bunshaft, managing
director of Dassault Systèmes North America. “Technology can have a
significant impact on enhancing understanding, and this project is
living proof of that.”

“The number and quality of nominations this year were very inspiring and
demonstrate how valuable IT is to community change,” said John Amato,
publisher, Computerworld. “Computerworld is very proud to name the 2011
class of Laureates and showcase their initiatives benefiting society
through innovative uses of IT.”

The 2011 Computerworld Honors awards will be presented at the Annual
Laureates Medal Ceremony & Gala Awards on June 20, 2011, at the Andrew
W. Mellon Auditorium in Washington, D.C. For more information, visit http://events.computerworld.com/Honors2011.

For more information on the Giza 3D Project: www.3ds.com/giza3D.

About The Museum of Fine Arts, Boston

The Museum of Fine Arts, Boston (MFA), is recognized for the quality and
scope of its encyclopedic collection, which includes an estimated
450,000 objects. The Museum’s collection is made up of: Art of the
Americas; Art of Europe; Contemporary Art; Art of Asia, Oceania, and
Africa; Art of the Ancient World; Prints, Drawings, and Photographs;
Textile and Fashion Arts; and Musical Instruments. Open seven days a
week, the MFA’s hours are Saturday through Tuesday, 10 a.m. – 4:45 p.m.;
Wednesday through Friday, 10 a.m. – 9:45 p.m. Admission (which includes
two visits in a 10-day period) is $ 20 for adults and $ 18 for seniors and
students age 18 and older, and includes entry to all galleries and
special exhibitions. Admission for students who are University Members
is free, as is admission for youths 17 years of age and younger (during
non-school hours). On school days until 3 p.m., admission for youths
7–17 is $ 7.50. Children 6 and younger are always free. For visitor
information, visit the MFA website at www.mfa.org
or call 617.267.9300.

About Computerworld Honors Program

Founded by International Data Group (IDG) in 1988, The Computerworld
Honors Program is governed by the not-for-profit Computerworld
Information Technology Awards Foundation. Computerworld Honors is the
longest running global program to honor individuals and organizations
that use information technology to promote positive social, economic and
educational change. Additional information about the program and a
Global Archive of past Laureate case studies and oral histories of
Leadership Award recipients can be found at the Computerworld Honors
website (http://events.computerworld.com/Honors2011).

About Computerworld

Computerworld is the leading source of technology news and information
for IT influencers worldwide, providing peer perspective, IT leadership
and business results. Computerworld’s award-winning Web site (http://www.computerworld.com),
bi-weekly publication, focused conference series and custom research
forms the hub of the world’s largest (40+ edition) global IT media
network. In the past five years alone, Computerworld has won more than
100 awards, including Magazine of the Year by American Society of
Business Publication Editors (ASBPE) awards in 2010, the 2009 Best Blog
from the Neal awards, and 2006 Best Overall Web Publication from ASBPE.
Computerworld leads the industry with an online audience of over 3.5
million unique, monthly visitors (comScore Media Metrix, August 2010).
Computerworld is published by IDG Enterprise, a subsidiary of
International Data Group (IDG), the world’s leading media, events, and
research company. Company information is available at www.idgenterprise.com.

About Dassault Systèmes

As a world leader in 3D and Product Lifecycle Management (PLM)
solutions, Dassault Systèmes brings value to more than 130,000 customers
in 80 countries. A pioneer in the 3D software market since 1981,
Dassault Systèmes applications provide a 3D vision of the entire
lifecycle of products from conception to maintenance to recycling. The
Dassault Systèmes portfolio consists of CATIA for designing the virtual
product – DELMIA for virtual production – SIMULIA for virtual testing –
ENOVIA for global collaborative lifecycle management, EXALEAD for
search-based applications- SolidWorks for 3D mechanical design and 3DVIA
for online 3D lifelike experiences. For more information, visit http://www.3ds.com.

CATIA, DELMIA, ENOVIA, EXALEAD, SIMULIA, SolidWorks and 3DVIA are
registered trademarks of Dassault Systèmes or its subsidiaries in the US
and/or other countries.

Business Wire Environment News

Arts take a hit in South Africa World Cup

A promise by the South African government to fund an ambitious, $2 million arts project in connection with next summer’s World Cup has gone the way of the wind.

Ritual (1977) by Lucky Sibiya (1942 - 1999). Colour woodcut on paper. Also gone is the 2010 World Cup task team for arts and culture, which was to coordinate arts-related events for the government’s Arts and Culture Department. It received at least 160 World Cup-related funding applications from organizations and events as diverse as the National Arts Festival in Grahamstown, the Market Theatre in Johannesburg and a Free State-based war museum.

But by late January, the money was not on hand.

The Mail & Guardian Online, based in South Africa, reported that the arts and culture director-general, Themba Wakashe, has instituted an internal investigation in the department. Two officials have been suspended in connection with the alleged disappearance of money from the World Cup budget.

As for the proposed events, the Mail & Guardian reported that the most important loss would be a 15-day National Arts Festival, which would coincide with the FIFA tournament in June. Festival chief executive Tony Lankester said: “We have had no official feedback at all. We asked for a one-off grant that would enable us to run a longer festival, to put in place other heritage and legacy projects in the Eastern Cape and to do a lot more aggressive marketing to international audiences. With every day that passes, we are missing out on the potential of harnessing the World Cup economic boom for the province.”
The World Cup soccer tournament is the second largest sports event in the world, behind the Summer Olympics. Like the Olympics, it is held every four years. In all, teams from 208 countries will play at 10 venues between June 11 and July 11, ending with a final at the Soccer City stadium in Johannesburg, which seats 94,900.

Flag of South AfricaSince the announcement by FIFA, the world soccer’s governing body, that South Africa would host the World Cup, the country has been plagued by a number of issues, including a 2009 strike by construction workers, consistent rumors about a possible re-location of the World Cup from South Africa and continuing protests over the “relocation” of up to 20,000 shackdwellers along the country’s freeways.

The hit to the arts stretches across all artistic disciplines, including theater. Market Theatre artistic director Malcolm Purkey said that the venue had decided to present a South African theater festival at Grahamstown, hosting works by Athol Fugard, Barney Simon, Mbongeni Ngema and John Kani, as well as more recent work by the likes of James Ngcobo.

Purkey said that the 10 productions were “utterly dependent on money from the 2010 project.”

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